STOP, I SEE YOU RIGHT NOW
The fusion of art, seen in the existence of Wagnerian reciprocity between music, painting, poetry and architecture... Poetics, which refers to the painting segment, makes complex content with rich implications ... Contemporary analysis on social awareness, opposing and conflicting aspects, draw artist on a review, introspection, positioning in its own projections, professional, life, hypothetical, imposed ... Does the artist show his work at the reminiscences of real values embodied in moderation, modesty, justice? Is it the intention of bringing up the bat through
silent footstep beaten track near the sea, quiet wind circulation, reflection of waves hitting the road, foam-like
geysers ocas to disappear... whether, that is to slow to a lower picture everyday life and to those with a small great
effort that we want, and confirm what we want. Stay, because time has stopped now, right now ...
Through her canvas, the whole thought that interfere with its heroes and anti-heroes, Isidora Stamatovic
concludes its mosaic of emotions. With refined pictural language she forms a circuits of colors with its mystical
sound and fullness, so introducing us into the genre of music drama. Reveals long-forgotten architectural segments,
from whose inside music is reaching out that mysterious threads of colored hooks for the painting move, which is
simultaneously vibrating, in the empty sight of that condemned faces. Applying expressive symbols, bares her soul
to us, evoking a past, and sees herself through others who are there, and don’t need to be. Harlequin, the homeless,
gangsters, convicts, illusions of who we are or what we want to be, through the cavity of life, we are all the same,
imperfect and aware that we can be better. Naturalistic parties, many of her background visual testimony are
spreading to that overripe seeds of life from which is growing a new tree to remind us of that first emotion that
fluctuates and that we want to repeat, to play again, remember and to re-conquer our mind. Speak out bitter
mouth, words like tones that emphasize the tremendous turnover: I am what i am, speaks out one of the concerned
persons, i’m not hiding, and not living someone else's intentions, not controling my sensuality, i love, because I let
the passion take me.
The initial discourse of inherent strength and surface human perception flirts with the layered complexity
of dialogue of posing faces. Through figurative expression, inarticulate characters, passive external fragility and
artificial light acting, the essence of simmering as evidence that a fair interpretation, by us and the others is subjective, but that desire is identical. Confirmation of the presence, statements about the importance of getting what is
deserved, through all the earlier sacrifices for the sake of... fireworks in the form of escalating moves that hit inside
the picture frame, which restrains Isidora’s Hungarian colleague, Eszter Tari.
Their friendship is not part of the system and is not based on false ideals and biases. There is no intrusion or
vanity, only a desire to contribution through analysis of the painting poetics, and the compatibility between plan
and the presentation. They have found support in each other, in viewing similar things in a different way, which
makes a new diversity and brings different readings. Practically, we can find an analogy in the synthesis of the
essence in their work. Guided by the same desire, they are indirectly saying opinions and impressions of equivalent
amounts of fire in Esther’s vibrant and energetic dense curve sediment, and hint of sunset in Isidora’s flat, harmonically divided plots.
Different conditions are a good environment for the artist who creates and seeks inspiration in love, nature,
and politics, world, and transposes them through the kaleidoscope of their own thoughts that leave traces on the
picture. The same impulse is managed by Eszter and comes from the island of Java, whose culture she has been
studying. By varying forms, through the free creation of new perspectives, outside the picture frame, she creates a
new imaginary world of unfettered freedom. As Puzzles newly concluded in Eszter’s eye, goes almost automatically,
through allusions to oriental culture. There is alienation from this cruel world that moves us and breaks as on the bar.
In this meaning of a different vay, by barbed thorn of everyday life that is the rest of what we want to forget.
Thorns that pierce in the knowledge of who we are and how we lost the reins of our own desires. Unbridled
passion and indulgence through expressive action, is setting a new reasoning. Be what you want... Combinations of
abstract patterns and figural statements that are breaking through the whirls of color and modules, bringing a faint
cry. There is no restraint of desire and power, the intensity of collision-painted boxes, decomposes in the midst of
fiery red hot skin structure and repartitioning the thousands of new small whirlwind. In a series of Factor Organic,
she explains its own proceedings and reads its own realm, giving others various different interpretations.
Painters are leading on bolding our desire, self-knowledge through detailed introspection through a
synthesis of inner worlds and circumstances in the home of life. They drew attention to the meaning of the spoken
word, importance of choosing we wear as the harshest punishment, but also a need for inertia, when the creative
machine has cracked.
The time is now. Hey wait, I see you right now.
mr Vladana Kosić
GALERIJA JOSIP BEPO BENKOVIĆ
Isidora Stamatović i Eszter Tari
29. jul-15. avgust
NOĆ KULTURE JUL 2012.
GALERIJA JOSIP BEPO BENKOVIĆ
I Bokeške brigade 14
Isidora Stamatović i Eszter Tari
29. jul-15.avgust
ORGANIZATOR
UZ PODRŠKU:
Dizajn: Ivan Stanić
Štampao: Biro KONTO
Tiraž: 200
Herceg Novi 2012
BIOGRAFIJE: ISIDORA STAMATOVIĆ BIGOVIĆ I ESTER TARI
VLADANA KOSIĆ: STANI,VIDIM TE BAŠ SAD
ISIDORA STAMATOVIĆ BIGOVIĆ (1983)
STANI,VIDIM TE BAŠ SAD
Diplomirala na Fakultetu Likovnih Umjetnosti na Cetinju (Univerzitet Crne
Gore), na slikarskom odsjeku u klasi profesora Smaila Karaila 2006. Magistrirala na
Akademiji Likovnih Umjetnosti u Sarajevu (Univerzitet u Sarajevu) na slikarskom
odsjeku u klasi profesora dr Nusreta Pašića 2012 godine.
Samostalnim izložbama se predstavlja od 2008 godine: Iza škura, Galerija Sue Ryder
(Herceg Novi), Govor Tijela Umjetnički Paviljon, ULUCG (Podgorica), Infinite Pleasure
Galerija Zero, (Barselona, Španija), Slike Života Galerija Gebauer, Civil Közösségek
Háza,(Pečuj, Mađarska)… Učestvovala na brojnim kolektivnim izložbama u zemlji i
inostranstvu.
Članica ULUCG-a i ULUBIH-a.
Živi i radi u Herceg Novom.
Fuzija umjetnosti, sagledana u okviru postojanja vagnerovskog reciprociteta između muzike, slikarstva,
poezije i arhitekture...Poetika koja referira slikarski segment, koji donosi kompleksne sadržaje sa bogatim implikacijama... Savremeno promišljanje na temu socijalne svjesnosti, te opozitnih i konfliktnih aspekata, povlači umjetnika
na preispitivanje, introspekciju, pozicioniranje u sopstvenim projekcijama, profesionalnim, životnim, hipotetičkim,
nametnutim... Da li umjetnik svojim djelom ukazuje na reminiscencije pravih vrijednosti otjelotvorenih u
umjerenosti, skromnosti, pravednosti? Da li je to namjera podsjećanja na bat tihog koračanja kroz utabane staze
pokraj mora, tiho strujanje vjetra, promišljanje u trenu udaranja talasa, stvaranja pjene nalik gejzirima koji očas
nestaju... da li, dakle treba sporije da nižemo slike svakodnevice i da uz one male a velike napore budemo što želimo,
potvrdimo što hoćemo. Ostani, jer vrijeme se zaustavilo sad, baš sad...
Kontakt:
+382 67 376 743,
[email protected]
www.isidorastamatovic.com
Isidora Stamatović Bigović (1983) graduated from the Faculty of Fine Arts in
Cetinje (University of Montenegro), painting department under Professor Smailo
Karailo 2006. She earned her Master's degree from the Academy of Fine Arts in
Sarajevo (University of Sarajevo), Painting Department under Professor dr Nusret
Pašić 2012. Begins to exhibit since 2008: Behind the shutters, Sue Ryder Gallery
(Herceg Novi), Body language, Art Pavilion, ULUCG (Podgorica), Infinite Pleasure
Gallery Zero, (Barcelona, Spain), Images of Life Gallery Gebauer, Civil Közösségek
Háza, (Pécs, Hungary) ... She participated in numerous group exhibitions at home
and abroad.
Member of ULUCG and ULUBIH. She lives and works in Herceg Novi.
ESZTER TARI (1976)
je savremena Mađarska slikarka. Diplomirala na Fakultetu za Muzičke i
Vizuelne umjetnosti Univerziteta u Pečuju 2004. godine, a zatim je završila doktorske studije, stekavši titulu Doktora slobodnih umjetnosti na istom fakultetu u rangu
PHD-a. Mnoga njena djela su inspirisana Javanskom batikom. Bavi se profesurom i
istraživačkim radom. Do sada je puno putovala i boravila Indoneziji. Bila je asistent
na mnogim stručnim radionicama Univerziteta u Pečuju, ali i gostujući predavač na
kursevima vizuelnih umjetnosti na Univerzitetu Sebelas Maret u Indoneziji. Imala je
brojne samostalne izložbe i to u Mađarskoj, Indoneziji, Španiji i Engleskoj. Njena
djela se nalaze u brojnim javnim kolekcijama: Antal-Lusztig Kolekcija, Indonežanska
Nacionalna Galerija, OHD Muzej savremene i moderne indonežanske umjetnosti,
Fondacija Zlatka i Vesne Price…
Kontakt :
+36 30 418 47 32
[email protected],
eszter-tari.webs.com
Eszter Tari (1976) is a Hungarian contemporary painter. Graduated from the
Faculty of Music and Visual Arts, University of Pécs (2004), and she earned her
doctoral degree in fine arts, the so called DLA-title (Doctor of Liberal Arts), which is
equivalent to PhD at the Doctoral School of Fine Arts of the same Faculty. Many of
her paintings are inspired by Javanese batik. She is also an art instructor and
researcher. She has traveled a lot and spent most of her time abroad in Indonesia.
For example she worked as an assistant at the graphic workshop of the University of
Pécs and later she taught as a visiting professor visual art courses at Sebelas Maret
University in Indonesia. She has had solo exhibitions of paintings inside Hungary,
Indonesia, Spain and in the UK. Her artworks are housed among others in public
collections, such as: Antal-Lusztig Collection, Indonesian national Gallery, OHD
Museum of Modern and Contemporary Indonesian Art, Zlatko and Vesna Prica
Foundation.
She lives and works at Pécs, Hungary.
Kroz svoja platna, misaone cijeline koje upliću njene heroje i antiheroje, Isidora Stamatović sklapa mozaik
svopstvenih emocija. Rafiniranim slikarskim jezikom tvori sklopove boja koje zvuče mističnom punoćom te uvode u
žanr muzičke drame. Otkriva nam davno zaboravljene arhitekturalne segmente, iz čijih unutrašnjosti dopire muzika
koja se tajnovitim nitima kači za bojeni potez, a on, paralelno vibrira, čini neki tihi nemir u praznom pogledu
iskeženih lica. Ekspresivnim apliciranjem simbola, razgolićuje nam svoju dušu, evocira svoju prošlost, i kroz sebe
sagledava druge, koji su tu, a i ne moraju biti. Harlekini, beskućnici, banditi, osuđenici, prividi onoga što jesmo ili što
želimo biti, kroz šupljine života, svi smo isti, nesavršeni i svjesni da možemo biti bolji. Naturalističke partije, kao
pozadina mnogih njenih vizuelnih iskaza šire se do tog napupljelog sjemena života iz kojeg raste novo drvo da
podsjeti na onu prvu emociju koja prostruji i koju želimo da nam se ponovi, da opet zaigra, da je se sjetimo i da
ponovo osvoji naš um. Progovaraju gorka usta, riječi kao tonovi koji naglašavaju strahoviti obrt: To sam što jesam,
progovara jedan od zabrinutih lica, ne krijem se i ne živim tuđe naume, ne obuzdavam svoju senzualnost, volim jer
puštam strast da me vodi.
Započeti diskurs imanentne snage ali i površne ljudske percepcije, koketira sa slojevitošću i komleksnoću
dijaloga lica koja poziraju. Kroz figuralni iskaz, nemuštih likova, pasivnu i artificijelnu spoljnu trošnost lake glume,
suština tinja kao dokaz da je pravična interpretacija, kod nas i drugih, subjektivna, ali da je želja istovjetna. Potvrda
prisustva, konstatacije o važnosti dobijanja onoga što se zaslužuje, kroz sva ranija odricanja zarad...eskalira u vidu
vatrometa poteza, koji udaraju unutar okvira slike, a koje obuzdava Isidorina koleginica iz Mađarske, Eszter Tari.
Njihovo prijateljstvo nije dio sistema i nije zasnovano na lažnim idealima i predubjeđenjima. Nema tu
nametljivosti ni sujete, već želje za doprinosom, analizom slikarskih poetika, kompatibilnosti između nauma i
prikaza. Našle su potporu jedna u drugoj, u nadomješćivanju prikaza sličnih stvari koje čine nove diverzitete i
donose različita čitanja. Praktično, analogiju možemo pronaći u sintezi esencija njihovih radova. Vođene istom
željom, one indirektno govore mišljenja i iznose istovjetne impresije koje pucaju u Esterinim vibrantnim i
energičnim krivuljama pastuoznih nanosa, a nagovještavaju smiraj u Isidorinim ravnim, harmonično izdijeljenim
plohama.
Različiti uslovi jesu dobar ambijent za slikara koji stvara i traži inspiraciju u ljubavi, prirodi, i politici, svijetu, i
transponuje ih kroz kaleidoskop sopstvenih misli koje ostavljaju trag na slici. Istima rukovodi poticaj koji kod Eszter
dolazi sa ostrva Java, čiju kulturu proučava i kojom se bavi. Variranjem oblika, kroz slobodno stvaranje novih perspektiva, izvan okvira slike, stvaraju se novi imaginarni svijetovi nesputane slobode. Kao pazl koji se nanovo sklapa, u
Eszterinom oku ide gotovo po automatizmu, kroz aluzije na orijentalnu kulturu. Ima tu otuđenosti, alijenacije od
ovog surovog svijeta koji nas pokreće i kida kao na traci. U taj smisao drugačijeg života, utkale su se bodljikave drače
svakodnevice koje su ostatak nečega što se želi zaboraviti. Drače koje bodu pri spoznaji ko smo i koliko smo izgubili
kormilo nad sopstvenim htijenjima. Neobuzdana strast i prepuštanje kroz ekspresivni potez, postavlja nove rezone.
Budi šta hoćeš, kombinatorika apstraktnih paterna i figuralnih iskaza koji se probijaju kroz kovitlace boja i modula,
donosi tihi vapaj. Nema obuzdavanja želje i snage, intenzitet sudaranja slikanih polja, prouzrokuje raspadanje usred
usijanih dodira vatrenih struktura i stvaranje hiljade malih novih kovitlaca. U seriji Faktor Organik, ona objašnjava
sopstveni postupak i očitava svoju stvarnost, te je daje drugima na različita tumačenja.
Slikarke poručuju jačanje želje, samospoznaju kroz detaljnu introspekciju, kroz sintezu unutrašnjih svijetova
i okolnosti u životnoj kući. Skreću pažnju na bremenitost izgovorene riječi, važnost odabira koju nosimo kao najtežu
kaznu, ali i potrebu za inercijom, onda kada kreativna mašina popuca. Vrijeme je. Hej stani, vidim te baš sad.
mr Vladana Kosić
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Isidora Stamatović i Eszter Tari - Tari Eszter